Director Leo McCarey made Love Affair twice, with almost the same script. The first time, it starred Charles Boyer and Irene Dunne, a big ’30s star who has now slid from view. He remade it almost two decades later as An Affair to Remember with Cary Grant and Deborah Kerr to considerably more acclaim, but there’s lots to like about this first version.
Same script, same plot. A couple fall in love on a transatlantic liner, but are each engaged to someone else, so can’t be together; they agree to meet on the viewing tower of the Empire State Building in six months; tragedy strikes; but (spoiler) they are reunited right at the end of the film. Yes, it’s one of those stories that would be so much simpler now they’ve invented the mobile phone. It’s a while since I’ve seen An Affair to Remember, but memory says that it laid the melodrama on with a trowel, partly through its score, which is probably why it is so popular. Love Affair seemed to have a lighter touch.
Love Affair is out of copyright, so can be found on the internet. There’s an elegant bit of visual design. On the boat, both are in white or cream clothes, until close to the end of the voyage. Once in America, both are predominantly wearing black. Right at the end of the film, when they meet again, the two colours are reunited through a payoff that has been set up in the first part of the film.
The moment is a visual one that would only work in film. The two are on the boat as it docks in New York, scanning the crowd for their respective fiance(e)s. She is far left, he is far right of shot. As they see them, they indicate them, wordlessly, to the other. After that there’s some business on the gangway that’s also worth looking out for. And listen for the nod to Gershwin.